From Goodreads.com:
"Ever since he arrived in Paris, Henry the Rat has made a pretty good living selling "magic" swords to gullible knights. But when Henry sells one to Geoffrey Plantagenet, brother to King Richard, his happy days are over for good. Geoffrey forces Henry into a dangerous, uncomfortable quest for the most famous magic sword of all time, Excalibur, even though Henry is certain that it's just a myth.
Then Henry actually finds Excalibur - and his troubles really start: For Excalibur is not just the sword of heroes...it’s also the sword that won’t SHUT UP. It communicates with its owner, it knows what kind of owner it deserves, and Henry doesn’t even come close.
To keep Excalibur and the world safe from the appalling Geoffrey, Henry will have to masquerade as a knight, crash a royal wedding, rescue a princess, break a siege, penetrate the secrets of the Perilous Brotherhood, and find Excalibur’s rightful bearer, all while trying to reach an accommodation with a snotty, aristocratic hunk of steel that mocks him, takes over his body, and keeps trying to turn him into the one thing he hates most...a hero."
And now, an interview with Ted:
What is your favorite sentence from your book and why?
Well, like
my children, they're ALL my favorites. Just kidding. Of course I have favorite
sentences. And children. Let's
see…here's a good one, I think: Sometimes
it sucked to be the king.
What has
been your most rewarding experience since becoming published?
Surprisingly,
being published wasn't in itself a big moment. When you start writing, you see
being published as a sort of Good Housekeeping Seal of Approval. But writing a
first novel is such a long process that the real reward is the knowledge that
you've finished, and that it's fairly close to what you imagined it would be.
Everything else is gravy.
Do you
see yourself in any of your characters?
Sure, in
some ways. For instance, I grew up in a gritty neighborhood (what they call
"gentrifying" these days) and saw enough to know that violence isn't
glamorous or cool; so I can certainly understand Henry's attitude toward it. I
can also identify with Mattie's intellectualism, and Brother Wiglaf's crazy
enthusiasm – you know, embracing my inner geek.
What
authors have influenced you?
I'd say the
writers who influenced me most with The
Wrong Sword are Robert Heinlein and Lois McMaster Bujold, who both taught
me a lot about narrative voice.
Who are
your favorite authors and why?
So many
writers.
I love
reading Roger Zelazny. The man was a genius poet in science fiction, on a
par with Ray Bradbury. If you're a
writer, you have to be careful about reading something like his Lord of Light – it's so good, it will
mess up your prose style for days.
Jack Vance
is a fun author who never got his due. In a way, he's science fiction's dark,
dark Jane Austen: so much of his work is an arch, sardonic dissection of human
mores.
Tim Powers,
George McDonald Fraser, Carl Hiaasen, Harper Lee, PG Wodehouse, George Orwell, and
the list goes on. There aren't many classics on it. I've read the classics, and
I respect them; but I'm suspicious of anyone who claims Ulysses is his favorite novel.
What are
you currently reading?
The Eight Skilled Gentlemen, by Barry Hughart. Re-reading,
actually. Hughart wrote a series of charming novels set in a mythical, medieval
China: The Chronicles of Master Li and
Number Ten Ox. This is the third.
The Wrong Sword is Book One, when can we expect to
see Book Two or others from you?
In about a
year.
How long did
it take you to write The Wrong Sword?
A lot longer
than a year. But it was my first novel, so I was teaching myself to write in
that form while I was doing it.
What
inspired you to write The Wrong Sword?
I've always
been fascinated by tests. If you think about it, Excalibur is the ultimate test
– only the king can draw it from the stone. And then I thought But what if somebody cheats?
If you
could live during any time period in history, what would it be and why?
I'm a huge
fan of indoor plumbing, so I'd go with the Roaring '20s. Lots of money, short
skirts and jazz you can understand. On the other hand, if it's a question of
visiting, I'd go with Renaissance Florence or Persia under Cyrus the Great.
Florence for the art, the food, and the crazy politics; Persia for the pomp and
circumstance.
If you
could meet anyone living or dead, who would it be and why? What would you ask
him/her?
Thanks Ted for taking the time to give readers a chance to get to know you!
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3 comments:
Fun interview! I enjoy indoor plumbing as well : ) The Wrong Sword sounds interesting. Thanks! ~ Jess
LOL Indoor plumbing would affect my decision of where to travel in history too!
Nice interview! thanks, Lee
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